
A
solitary spy slips into Turkey during World War I, to tangle with
the German apparatus and find his brother's killer.
The Case of the Reluctant Agent.
Historical Mystery.
Sequel to Chronicles of
the Lost Years
Reviews. Excerpt.
Casting the movie. Buy it.
Holmes must travel to Constantinople as a British
operative to find his brother's killer.
It is 1917 and the Great War has been raging for three long years. Mycroft
Holmes grows suspicious of one of his agents who reports back to him from
the heart of the Ottoman Empire: Constantinople. Naturally, he wants to
send out a man to investigate - one who knows the area, the language, the
people, and has an exemplary war service record, including a
fourteen-month stint posing as a German officer at the High Command in
Berlin. But Sherlock Holmes proves to be, for once, stubbornly reluctant
to fulfill his older brother's request.
When Mycroft is shot and left for dead, Sherlock Holmes is forced to go to
Constantinople to uncover the man behind the deed. Unfortunately, before
he was assaulted, Mycroft failed to communicate which agent was the
turncoat.
So begins Holmes' reluctant return to the Near East. Not only does the
adventure provoke a bagful of memories both bitter and sweet, but the hunt
for the agent who betrayed them unravels with twists and turns and
breath-robbing surprises that even Holmes, with all his skills, could
never have anticipated.
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Chapter One
November 5th, 1917.
Sussex Downs, England.
"Gawd, it's quiet, ain't it, guv?"
"Too quiet." Gregson said from the back seat. He
drew a calming breath, curled his gloved hand over the lowered window and
peered into the gloaming.
The November evening was bitterly cold and drab, matching
Gregson's mood. He stared at the dim glow of white-washed walls glimpsed
through a copse of alders and poplars beginning just ahead of the elegant
nose of the Bentley. Digby had extinguished the lamps, leaving only the
gibbous moon aloft to light the scene.
"I'd say 'e's not 'ome," Digby murmured. "But
even if he is, can't we just go up an' knock?"
"For any other night, for any other person,
perhaps." He saw the whites of Digby's eyes roll, and added, "Why
don't you go ahead and knock, then?"
"Right, sir." The bobby reached for the door
handle with alacrity, and Gregson, not for the first time, envied him his
innocence.
Digby put only one foot on the gravel, his hands swinging
the door wide, when a single shot, loud in its unexpectedness, volleyed
across the clearing. The bullet itself kissed the frame of the windscreen,
and careened away with a sour note, sliding neatly between the Bentley and
Digby's remarkable ear.
"Strewth!" It was a high, breathless hiss. Digby
froze.
Gregson remained silent.
"I aimed to miss," came a low, guarded call from a
patch of total darkness beneath the trees.
"I appreciate that," Gregson remarked through the
open window.
"Your contraption has been sitting staring at my abode
for ten minutes now. If you were innnocent in purpose you would have at
least come up and knocked on the door."
"Told you we should've," Digby muttered under his
breath.
Gregson shifted closer to the window, and wound it down
fully. He addressed the patch of black shadows. "Forgive me, Holmes. I
would have knocked, but I had been warned your mood today would be...less
than jovial."
Again, there was a thoughtful silence, while the tops of the
poplars rubbed in the little wind.
A long, thin shadow detached itself from the main, and moved
out onto the roadway, a pace or two from the car. A wide brimmed hat, a
great coat, the collar standing up, leaving the face in complete darkness.
Only the flesh on the hand that held the revolver showed white.
"Bloody 'ell...." Digby muttered, startled again.
From beneath the brim issued the familiar voice. "Gregson.
Chief of Police, Tobias Gregson. And young Digby, I assume. Get back in,
lad. You'll freeze without your coat."
Digby scrambled back into the Bentley, and slammed the door,
rocking the vehicle.
Holmes pocketed the revolver. "You've obviously been
sent, Gregson. Only two people could have warned you of my mood, and I
wouldn't put it above either of them to send a message boy. I'm surprised
it's you they ferretted out. All the way from Scotland Yard on a night like
this -- should I be flattered?"
"You've already guessed otherwise, I'm sure,"
Gregson said mildly.
"As soon as I heard your voice and realized who it was
sitting staring at my cottage," Holmes agreed. "Come, Gregson,
you've had courage enough in the past to bait me in my den regardless of my
mood. Why baulk now?"
Gregson gripped the window again, feeling the chill creep
further into his flesh.
"It's your brother, Holmes."
Again, there was a small, telling silence. Holmes would be
reaching for those logical connections that to a lay man appeared to be
plucked from thin air.
"Mycroft wasn't the one that sent you," Holmes
said.
"No, Holmes."
"Is he dead?"
"He's at Saint Thomas's Hospital. It was a messy
affair...they don't expect him to live, Holmes. I'm sorry."
Gregson heard him draw a deep breath, and let it out. A
sigh. Holmes' voice came again, lower. "Someone attempted to murder
him. That is why you're here."
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The Case of the Reluctant Agent was a double first
for me: A sequel, and a book written in response to reader demand. It was
also the first book I shaped in response to reader feedback -- I tested
the first few chapters with dedicated Sherlockian readers and other
readers who had contact me about the first book.
As I plotted the book I was very aware of the readers out there waiting
for it, and worked very hard to make it a true mystery, one that would not
be figured out in an instant. I laid in switches, surprises, anything that
would keep the reader on their toes.
So I had a small fit when I saw the first cover art files. For any reader
who had read Chronicles of the Lost Years, the cover gave part of
the story away, and completely ruined one of my better surprises. But the
marketing forces of the publishing industry prevailed: Sales reps liked
the cover, so the cover would stay. Regardless, the book was enormous fun
to write, and apparently just as much fun to read because no-one has come
back to me to gripe about the give-away cover.
-- Tracy.
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I often get asked who I would cast in the movie of my book, if
it should ever come to pass, so just for fun:
Movie producer's pitch:
The English Patient meets Gallipolli,
and Where Eagles Dare
The
twists and reversals keep piling up.
Casting call:
Sherlock
Holmes. Donald Sutherland.
Elizabeth
Sigerson. Francis Fisher (Rose's mother, Titanic)
Dr.
Watson. Denholm Elliott
Mycroft
Holmes. John Rhys Davies
Von
Stein. John Isaacs (Malfoy in Harry Potter, Hook in Peter
Pan)
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